The life of Elie Wiesel

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Elie Wiesel was born on September 0, 18 in Sighet, a small town in Transylvania. Sighet was a town in which varying races and religions had managed to coexist for many centuries, whether in peace or in hateful conflict. The area remained amidst the claim of two nations, Hungary and Romania, often exchanging “ownership” between the warring countries during the twentieth century, but now claimed by Romania. The childhood of Elie Wiesel started out as any typical religious family did, with Elie preferring to focus on his religious studies. Elie found the stories of the Hassidic sect of Judaism, to which his mothers family belonged to be quite intriguing. His father, although religious, encouraged Elie to study the “modern” Hebrew language, and also encouraged him to focus on secular/non-religious studies. Elie and his family lived in a sense of false security up until and including the first stages of World War II. This was soon to change. In 144, the Nazis arrived in Sighet, bringing about the end of Sighet’s luck. The Jewish families of Sighet were now continuously relocated, with the final destination being a concentration camp. How can evil shift the entire direction and force of a life?…


The severe evil present during the holocaust is well portrayed in Night, the autobiography of Elie Wiesel. One of Wiesels concerns in Night is to demonstrate how exposure to inhuman cruelty can deprive even its victims of their sense of morality and humanity. “ There are eighty of you in this wagon,” said the German officer, “If anyone is missing, you’ll all be shot, like dogs…” (Wiesel, ) By treating the Jews as less than human, the Nazis cause the Jews believe they were less than human ---‘cruelty breeds cruelty’, Wiesel demonstrates. The evil that must be manifested in a group of people must be very great in order to drive that group to push for the annihilation of another society of people. Many can argue that the Nazis were evil in its purest form, based on their contemplation of the atrocities in Night.


“Never shall I forget that night, the first night in camp, which has turned my life into one long night, seven times cursed and seven times sealed. Never shall I forget that smoke. Never shall I forget the little faces of the children, whose bodies I saw turned into wreaths of smoke beneath a silent blue sky. Never shall I forget those flames, which consumed my faith forever. Never shall I forget that nocturnal silence which deprived me, for all eternity, of the desire to live. Never shall I forget those moments, which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as God Himself. Never.” (Wiesel, ) This excerpt shows us the heavy impact left within every Jew, surviving or gone. During Night, a woman named Madame Shachter is the personified basis for the fear and uneasiness of the Jews during their journey to Auschwitz. While on the Train, she cries out time and time again, screaming that she sees a fire looking out into the darkness, yet there is nothing. “Look! Look at it! Fire! A terrible fire! Mercy! Oh, that fire!”(Wiesel, ) She persists that there is a terrible, huge fire, and they are sending the Jews to be burned. At this point her group of peers deems her mad and the decision is made to restrain any more of her outbursts. God loves madmen. Theyre the only ones he allows near him.(Becker, 1) Later in the book, the truth of Madame Shachter’s outcries come to be realized with the sight of an actual fire and the sight of actual Jews being sent into that fire. By then it is too late. The relationship between Eliezer (Elie’s portrayed character) and his father is the most emphasized in the book, it remains until can remain no longer when they are separated at Auschwitz. This relationship demonstrates how evil can try but can never truly extinguish the small spark of hope. “Ordered to keep their heads lowered . . . and on no account allowed to look up [because] anybody who dared to do so would be executed on the spot” (Goldenberg) As to how one could keep hope alive during such intimidating persecution is beyond any of us. Continuing through the book, we see how certain Jews are slowly stripped of their hope and spirit, garment by garment, friend by friend.


“I did not die in Auschwitz, yet who am I to say that I am alive now…” (Cargas) In this quote, Elie recalls how part of his soul died in that camp, along with his innocence. The loss of his innocence can also be demonstrated by the death of a young boy who was only the servant of a rebel against Nazi forces, yet who was hung in the public square, a victim of the evil in question. At the camp, Eliezer had been forced to dodge selections, a process of elimination removing the weak from the multitude. Ironic in its own way, considering the fact that the Nazis considered any Jew obsolete. His father tries to keep up with his son’s act, appearing useful at varied tasks when the time came to be observed. Repeatedly, his father came close to a death sentence but barely escaped. In the end, the Nazi mindset overcame Eliezer’s father, who gave in to the tale that he was obsolete and did not need to exist. Elie’s statement shows the void in his soul, the loss of a deep understanding between him and his father. Evil can do this to a human being without much effort, as long as that evil has a vessel through which to spread its influence.


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“One day I was able to get up, after gathering all my strength. I wanted to see myself in the mirror hanging on the opposite wall. I had not seen myself since the ghetto. From the depths of the mirror, a corpse gazed back at me. The look in his eyes, as they stared into mine, has never left me.” (Wiesel, 10) The long term effects described in closing the account of his terror, summed up in one selection. He had been through pure evil. Evil had been through him. An occurrence as serious as evil going straight through your very being cannot leave a person unchanged, as is the case with Elie. In describing a corpse, Elie portrayed how he now viewed himself, a degraded being, no longer capable of being a human, yet the view now lives with him.





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